I watched the Super Bowl last night. I watched the game from kickoff to final play, saw the much touted halftime show, and watched the presentation of the trophies - heck, I don't think I even missed any of the commercials. The one thing I tuned in a little late for, and didn't see until this morning, was the rendition of our National Anthem, "The Star Spangled Banner", by Christina Aguilera. I'll be honest - the only reason I even looked for it this morning was because of numerous news stories telling me that she muffed it, that she confused the words and sang one line twice. It is of course true: when she got to the "O'er the ramparts we watched" line, she repeated the earlier "what, so proudly we hailed" line. A pretty classic screw-up and not at all excusable from a seasoned performer asked to sing this one very important song at the start of the biggest single televised sporting event all year. It was a real shame to be sure, and there are those who are calling for her head on a platter and those who are excusing the whole thing as a simple mistake, a case of nerves, something, ANYthing but a national tragedy. I guess I find myself somewhere in the middle.
No one died, to be sure. No one was left homeless; no one is in the hospital recovering this morning. It was a song before a game and there are many much more important things to be concerned about I admit. No, the actual offense itself was inexcusable for a completely different reason, one that I'm not sure anyone has considered yet. I need to build my case to my own satisfaction, so bear with me for a moment....
By an amazing coincidence there was a story out of Martinsville, Indiana last week that is very closely related. A young lady - 16 years of age, a student at Bloomington High School North – was asked to sing the national anthem before sporting events there. She did so in her own style and fashion, one that was not appreciated by several members of the crowd. Complaints were made and the school authorities requested at this young lady - Shai Warfield-Cross by name - sing the song in a more traditional manner. It seems that Shai's style is quite similar to Ms. Aguilera's and trills, extra notes, sliding up and down scales, etc. that are normal for this style were considered a bit outside the realm of what the school wanted before the game. So far, so good. Shai was given a guideline, and the next time she followed it and sang and everyone was happy. Well, everyone except Shai and her stepmother. They complained to the news media; specifically that Shai was being denied her "rights of expression and individuality". They even wrote a letter to the school asking for an apology, claiming that she was "being denied her right of artistic expression as a result of her natural voice and cultural heritage"
Horse droppings.
You can get a better idea of what's going on by looking at their subsequent comments."The situation really makes us question the staff and leadership there, and what their representation of diversity is," her stepmother said. From another source, Khalil Muhammad, who is an Indiana University history professor, listened to the version of the anthem sung by Shai and said it was "a fairly traditional rendition." He also pointed out that many artists, including Jimi Hendrix, Marvin Gaye and Jose Feliciano, have done the same basic thing: sung it "their way" without much controversy. He also pointed out that others have performed the song using traditional Jewish musical styles.
Now, let me stop and say that I have seen the video on the ‘Net of Shai singing, and I think she’s got an nice voice and with some professional training might well have a very real chance at a career in music. In this I wish her well and would love to see her succeed. I’m also not sure that the rendition I heard was all that far off the beaten path and I personally think that the complaints were kind of picky: she sounded pretty good to me. But let's look at this for a moment. This is not a question of anyone’s read on “diversity” and has very little to do with anyone’s personal culture. No, this has more to do with the current feeling of personal entitlement so many live in these days.
First of all, nobody was telling Shai that she couldn't sing it her way: they were simply telling her that if she wanted to do it in an official capacity she had a guideline to follow, otherwise she wouldn't be given a microphone plugged into the gym's PA system and allowed special time before the game to do it in front of the fans. She could go outside and do it all she wanted. She can rent an auditorium and wail away. She can find someone who wants her version and let them foot the bill - anything else she wanted. The school simply wanted it done a certain way and they were giving HER the honor of first shot instead of asking one of undoubtedly several other students in the school chorus program that would probably have been thrilled to be asked. She - or more likely her stepmother - decided that she was going to do it her way whether the school liked it or not. What's more, somehow it was decided that the school's asking for a certain style was somehow offensive.
As for the comparisons of others who have “done it their way”, Jimi Hendrix did his version on a guitar in front of a crowd of screaming rock fans in one of his concerts. He was not doing it at an Indiana high school basketball game by invitation. Interestingly, when one listens to his rendition it is actually quite traditional, albeit on a distorted guitar and with one pretty wild solo in the middle. Still - it was in HIS concert. In October of 2009 legendary Kiss guitarist Ace Frehley played the national anthem before a Kansas City Chiefs home game. Here again, he played what was a relatively traditional version. Frehley is a competent shredder: had he chosen he could have played a version that would have been all over the fret board and would have shown incredible talent and been very impressive, but he chose to use his talent to elevate the SONG, not his ABILITY or STYLE and therein lies the crux of the matter. I can point out the problem in one simple word.
Performance.
All of the people involved keep using the word "perform". Not "lead", as in ‘leading the crowd in singing the song’. Always "perform", as one would do for an audience. Now, normally I would be slow to use the terminology as a clue, but in this case it is very telling. The folks backing Shai in Indiana didn't see this as leading the crowd in the singing – no rational person could because no one could ever expect that the fans would be able to follow a Christina/Beyonce styled version AND sing along. No – they saw this as Shai’s moment to shine and show off her talent, her style, whatever. She and her backers only see that she was given a chance to sing at the games: what it is that she was asked to sing appears to have very little impact on anyone’s thinking. The National Anthem of our country is now a vehicle for singers to show off, not to engage in a brief moment of patriotism to remind us what it is that makes us all free. To them it’s just a performance, nothing more or less. This I suspect is the same thing that infected Christina Aguilera’s rendition last night. She wasn’t leading and she wasn’t elevating the song or the meaning: her rendition was all over the map and she was simply performing. I have to wonder if either of these two young ladies has ever looked at the words they were given the honor to sing and really understood what they were singing about.
The song is set to the tune of an old drinking song, “To Anacreon in Heaven”, but the words were scribbled on the back of an envelope by a man held on board a British ship overnight to make sure he didn’t tip off his fellow Americans about the coming attack on Baltimore’s Fort McHenry during the War of 1812. It is a song about the anguish of not knowing if your country is going to be there in the morning, and of the relief and joy to find out that the onslaught of the enemy has been unsuccessful in its attempt to bring your nation down. It’s about watching and waiting fearfully and hopefully all night long, dreading to look but being unable to keep from looking to see in the brief flashes of light made by the enemy’s bombardment of your countrymen’s defenses whether or not the flag was still flying over the fort: if it is gone, they have had to surrender but if it still waves they have withstood the attack and still defend. The one thing it is NOT about is “diversity”, as Shai’s stepmother opined. It is not about seeing how many notes you can hit on one word in the name of your personal “culture”. And it is certainly important enough to at least remember the words. To many of those who sing this song it is simply a vehicle to get your voice heard in a public forum but for many of us it is priceless and we would very much appreciate it if these singers, even if they do not agree with us, would treat it as something special and elevate the song, not themselves.